Kenneth Tse started his performance career in 1996 as the winner of the prestigious New York Artists International Award, which resulted in an acclaimed debut recital at Carnegie Hall, after which he was hailed as “a young virtuoso” by the New York Times. The Alex Award from the National Alliance for Excellence led to another Carnegie Hall performance. These are but two of the multitude of awards that Tse has garnered in less than a decade and a half. Since then he has been a frequent soloist on five continents, including solo appearances with the Des Moines Symphony, United States Navy Band, Slovenia Army Band, La Armónica Band of Bunol, Spain, Thailand Philharmonic Orchestra, and Hong Kong Sinfonietta among others.

He is frequent featured artist at events such as the triennial World Saxophone Congress and North American Saxophone Alliance conferences. He has also been a guest clinician at conferences hosted by the California Band Directors’ Association, Iowa Bandmaster’s Association, and the Midwest International Band and Orchestra Clinics. Prestigious universities and conservatories worldwide, such as Moscow Conservatory and Paris Conservatory have invited him to give master classes.

He has received numerous awards and grants including the prestigious Hong Kong Jockey Club scholarship, New York Music Performance Trust Fund, Indiana University Marcel Mule Scholarship, University of Iowa CD Subvention Fund, Arts and Humanities Initiative Grant, Barlow Commission Fund, as well as an honorary life membership from the Contemporary Record Society.

In 2009, desiring to give back to his home city, Hong Kong, Tse created the first Hong Kong International Saxophone Symposium which attracted over 70 saxophonists from around the world to join the event. In addition to Tse, Eugene Rousseau from University of Minnesota and Claude Delangle from the Paris Conservatory were the faculty members to 12 active participants from three continents. With the tremendous success of the premiere event, Tse has formed the Hong Kong International Saxophone Society as part of an effort to facilitate more interest in saxophone performance as well as to continue hosting the symposium every two years to expose Asian saxophonists to world-class saxophone performers and teachers.